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It is not always easy to see just how or why a designer
solves a particular problem in a particular way. Like all artists,
his effects result from two things-imagination and technique.
Imagination is something from within which is developed
through study and training. Technique is the method of trans
ferring this imagination into fact. Technique can be taught,
but one must be born with imagination. It is latent in many
and needs but the right book, the right situation, or the right
person to awaken it.
In our previous book, Garden Planning and Building, we
discussed the problem of the basic design of the home grounds
from the professional landscape architect's experience, showed
how he evolves a design pattern, how he molds contours, builds
permanent structures, and otherwise prepares a job for plant
ing. Our purpose was to explain these things so that the reader
would have an understanding of what landscape design really
is. Planting was discussed only briefly.
Color and Design for Every Garden is intended as a sequel
to Garden Planning and Building. It goes on from where that
left off, with the exception that we have again discussed briefly
the selection of the most appropriate garden pattern to fit the
garden site.
H. Stuart Ortloff
Henry B. Raymore
November 1950
Apple Green
Half Hollows
Huntington, N. Y.
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