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Most of these edgings
were neat little hedges of boxwood or yew, but some were
clipped germander, southernwood, heuchera, thrift, or Sweet
Alyssum Little Gem. No professional designer would ever
sanction seashells, small stones, or upturned bottles of vari
ous colors to edge garden patterns, but we have frequently
seen such things used in simple gardens to satisfy the craving
for definite lines.
Enclosing plantings also require definiteness. Instead of
clipped hedges or masonry walls and fences for enclosure,
gardeners often use shrub borders. While young these serve
the purpose well, but as they grow, they often encroach on
areas designed for herbaceous material. Their uneven billowy
masses blur the pattern and mar the definiteness of the pic
ture. A selection of shrubs in upright, compact, and slow
growing varieties would be wiser, or more constant clipping
or shearing back would help to maintain the all-important
line of the planting. In England, anything is sheared to form
enclosures. Here we restrict ourselves to certain plants for
hedges and feel that it is wrong closely to restrain flowering
shrubs. Much bloom is lost when such shrubs are sheared, but
usually in enclosures, mass and line are more important than
flowers.
In creating your garden composition, think beyond length
and breadth to height, particularly for the enclosing and back
ground masses. If you forget height, your composition will be
flat and uninteresting, and may get too huge for the simple
garden pattern inside. When this happens, the scale is wrong.
As you plan, think of skyline and try to develop a silhouette
in scale with the picture. Even in herbaceous plantings, fuzzi
ness is often apparent. Long low masses sometimes need a bit
of height to give diversity and charm.
Relieve monotony with a group of shrubs at the corners,
occasional specimens placed at intervals in front of the
hedge, or with a few overhanging trees planted outside the
garden. A very small garden is not interesting when severely
enclosed by a sheared hedge, which is unrelated to the rest
of the landscape. Although segregated a garden must belong
in the larger development.
A bit of sheared hedge to back up and emphasize a garden
feature is often desirable. Any important point in the design
itself, an entrance, crossing, rondpoint, or termination can
also be stressed by the use of sheared material. It can be
counted on to create definitive lines.
Curves and flowing lines also have their place, but avoid
erring on the side of softness. Too often curves produce a rather
spineless or voluptuous effect. Since no garden, except pos
sibly an extremely formal public one, should be rigid and un
compromising, a bit of softness here and there is charming.
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