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The same test for unity may be applied to smaller garden
pictures in their frames. Can this or that plant be removed
without damaging the picture? If so, the group has not been
tightly enough composed.
How to achieve unity is, however, more important than how
to detect its absence. In the garden pattern all parts of the de
sign, path, bed, or border, must be interrelated. The whole
must hang together. Anything extraneous detracts from the
quiet satisfaction of a unified scheme.
In planting likewise, every group must play its part and be
related to the whole. The small garden can successfully pre
sent only a single idea, a single picture. Avoid saying too
much. Larger gardens of more scope can accommodate sev
eral pictures but they must not compete. They too should be
part of a greater whole, complete in themselves but integral
with their surroundings.
Many gardeners, especially plant enthusiasts, put too much
emphasis on small, intimate groupings, as a few hemerocallis
with a clump of phlox, a delphinium with a lily or two, a sin
gle pansy with a group of scillas. Such precious groupings
have a place in the composition only when they play a part
in the larger scheme. They have little value as individual bits.
In fact they are generally lost unless repeated in a sequence.
If you are tempted to indulge in this sort of thing, apply the
unity test frequently to your garden. When you find that a
certain group does not strengthen the picture, either discard
it, or amplify it so that it does count in the general scheme.
Unity by Selection
Those who so love plants that they incline to strive for too
many in too little space, should try to be aware of unity at the
very beginning of their garden planning. An overcrowded,
heterogeneous collection of plants, no matter how beautiful
as individuals, will not produce a unified scheme. No less an
authority on garden design than Gertrude Jekyll has said, "I
am strongly of the opinion that the possession of a quantity
of plants, however good the plants may be in themselves, and
however ample their number, does not make a garden. It is
only a collection."
With such a host of fine plants available the beginner's
"must" list is often tremendous. No one garden, unless it is
acres in extent, could hold them all artistically. The task of
reducing such a list is a hard one that must be undertaken
before any plants are ordered. There are several methods
of elimination.
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